Play Along Piano

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edward.maurath

3:13	Est. Play Time
42	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	18	10	3	5	96%
	18	1	3	3	100%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	18	10	3	5	96%
	18	1	3	3	100%
Organ Continuo	21	10	3	5	96%
	18	2	3	3	100%
Cello Continuo	18	0	3	3	100%
Double Bass Continuo	17	0	3	3	100%
Viola	16	0	3	4	90%
Violin 1	15	0	1	3	90%
Violin 2	16	0	3	5	90%
Bass	13	0	2	6	79%

HWV1A2N28 - Ob dein Mund wie Plutons Rachen

edward.maurath

5:23	Est. Play Time
49	Measures
	1,182Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon Continuo	18	0	4	3	96%
Oboe 1	16	0	3	6	95%
View all 11 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon Continuo	18	0	4	3	96%
Oboe 1	16	0	3	6	95%
Cembalo Continuo	15	20	4	6	77%
	20	2	4	3	89%
Oboe 2	15	0	3	5	89%
Viola	15	0	0	3	80%
Violin 1	19	0	1	6	80%
Violoncello Continuo	15	0	1	3	80%
Violone Continuo	15	0	1	3	80%
Violin 2	18	0	2	5	77%
Tenor as Fernando	15	0	4	8	55%

HWV58A2N7 - "Oh sleep, why dost thou leave me?" E Major

edward.maurath

2:40	Est. Play Time
28	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	15	34	1	8	96%
	16	13	0	6	96%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	15	34	1	8	96%
	16	13	0	6	96%
Cello	16	1	0	6	96%
Semele	14	0	3	10	79%

BWV 999: Prelude in c minor for lautenwerk

edward.maurath

1:55	Est. Play Time
43	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	17	1	7	2	100%
	18	0	7	2	100%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	17	1	7	2	100%
	18	0	7	2	100%
Harpsichord	17	1	7	2	100%
	18	0	7	2	100%
Lute	17	1	7	2	100%
	18	0	7	2	100%

HWV19A3N22 - Rodelinda, "Mio caro bene!"

edward.maurath

5:29	Est. Play Time
58	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	21	86	6	9	100%
	22	37	5	6	99%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	21	86	6	9	100%
	22	37	5	6	99%
Violoncello Continuo	17	2	1	3	86%
Violins	15	0	2	8	73%
Rodelinda	13	0	3	5	68%
Contrabasses	14	0	0	3	60%
Violincello Continuo	14	0	0	3	60%
Violas	13	0	2	5	55%
Bassoon Continuo	14	0	0	3	15%
Oboe	10	0	0	6	14%

HWV19A3N20 - Vivi, tiranno (Bertarido) in Bb Major

edward.maurath

5:15	Est. Play Time
113	Measures
	1,931Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ Continuo	23	51	5	7	82%
	20	1	4	6	98%
View all 13 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ Continuo	23	51	5	7	82%
	20	1	4	6	98%
Cembalo Continuo	22	51	5	7	79%
	23	21	5	6	98%
Bassoon Continuo	20	0	4	6	95%
Violin 2	21	0	6	5	87%
Violoncello Continuo	19	0	4	5	82%
Double Bass Continuo	19	0	4	5	81%
Viola	16	0	2	4	81%
Castrato Alto as Bertarido	14	0	4	8	66%
Violini 1	15	0	4	5	65%
Oboe 1	15	0	3	6	42%
Oboe 2	20	0	6	6	42%

HWV63A0 - Judas Maccabeus (1746) Overture in g minor

edward.maurath

11:07	Est. Play Time
186	Measures
	2,568Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violini 1	26	0	9	10	97%
Violini 2	27	0	9	10	94%
View all 12 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violini 1	26	0	9	10	97%
Violini 2	27	0	9	10	94%
Viole	18	0	4	8	83%
Contrabassi Continuo	25	0	10	10	81%
Violoncelli Continuo	25	0	10	10	81%
Bassoon Continuo	26	0	10	10	45%
Oboe 1	22	0	8	9	45%
Organo	16	39	5	9	40%
	20	1	5	9	41%
Cembalo Continuo	17	42	5	6	30%
	20	4	3	6	30%
Oboe 2	18	0	5	7	26%

HWV19N9 - Sinfonia in g minor

edward.maurath

1:00	Est. Play Time
9	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	13	7	3	3	89%
	16	2	2	5	100%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	13	7	3	3	89%
	16	2	2	5	100%
Bassoon Continuo	16	0	2	5	100%
Contrabass Continuo	16	0	2	5	100%
Viola	12	0	1	5	100%
Violoncello Continuo	16	0	2	5	100%
Vln 1	14	0	3	8	100%
Vln 2	13	0	3	7	100%
Oboe	19	0	5	8	94%

HWV1A2N26 - Svenerò chi fa guerra a questo cor

edward.maurath

1:23	Est. Play Time
19	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	16	23	3	3	100%
	17	2	2	4	100%
View all 5 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	16	23	3	3	100%
	17	2	2	4	100%
Violoncello Continuo	16	0	2	4	100%
Violone Continuo	16	0	2	4	100%
Tenor as Osman	12	0	1	5	89%

WQ40 - iphignie en aulide (Gluck)

edward.maurath

8:14:19	Est. Play Time
4517	Measures
	57,351Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	37	609	29	13	97%
	58	373	40	11	96%
View all 26 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	37	609	29	13	97%
	58	373	40	11	96%
Iphigénie	21	0	15	11	18%
Achille	19	0	11	9	18%
Soprano	20	0	7	9	16%
Alto	19	0	6	9	15%
Clytemnestre	20	0	13	8	15%
Ténor	11	0	4	4	0%
	6	0	0	4	0%
	18	0	10	9	15%
Basse	13	0	3	4	0%
	19	0	9	9	15%
	15	0	2	7	1%
Agamemnon	20	0	12	8	13%
Calchas	20	2	10	8	2%
Patrocle	14	0	4	6	1%
1ʳᵉ Grecque	16	0	4	6	1%
Arcas	11	0	4	5	1%
Diane	16	0	6	7	1%
Grec	8	0	1	5	0%
Ténor 1	8	0	1	6	0%
Ténor 2	9	0	1	6	0%
2ᵉ Grecque	11	0	1	5	0%
3ᵉ Grecque	10	0	2	5	0%
Femme de la suite d’Iphigénie	10	0	0	5	0%
Esclave Lesbienne	7	0	0	3	0%

BWV 245 N 3 v EJM CHORALE O grosse Lieb g minor

edward.maurath

0:45	Est. Play Time
12	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo	14	20	5	5	100%
	16	0	5	3	100%
View all 18 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo	14	20	5	5	100%
	16	0	5	3	100%
	17	0	5	3	100%
Cembalo Continuo	14	20	5	5	100%
	19	2	5	3	100%
Alto	11	0	2	4	100%
Bassi Bassoon Continuo	17	0	5	3	100%
Basso	15	0	4	4	100%
Contrabassi Continuo	16	0	5	3	100%
Contralti Oboe 2	9	0	2	3	100%
Contralti Violini 2	11	0	2	4	100%
Soprani Flute 1 amp;amp; 2	11	0	2	4	100%
Soprani Oboe 1	11	0	2	4	100%
Soprani Violini 1	11	0	2	4	100%
Soprano	11	0	2	4	100%
Tenor	12	0	3	4	100%
Tenori Viole	12	0	3	4	100%
Violoncello Continuo	17	0	5	3	100%

BWV245N10 - Derselbige Jünger war dem Hohenpriester bekannt

edward.maurath

3:31	Est. Play Time
46	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello Continuo	14	0	5	6	100%
Cembalo Continuo	19	45	7	7	70%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello Continuo	14	0	5	6	100%
Cembalo Continuo	19	45	7	7	70%
	16	2	6	6	70%
Evangelista	17	0	6	5	65%
Ancilla Petrus Jesus	24	0	8	4	43%
Organo Continuo	14	20	6	5	37%
	11	0	2	4	37%
Servus	6	0	3	2	7%

BWV245N11 - Wer hat dich so geschlagen - Chorale in A Major

edward.maurath

1:36	Est. Play Time
25	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	12	7	2	4	100%
	16	1	5	5	100%
View all 17 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	12	7	2	4	100%
	16	1	5	5	100%
Organo Continuo	10	2	1	5	100%
	16	0	5	5	100%
Alti	10	0	1	5	100%
Bassi	16	0	5	5	100%
Bassono Grosso Continuo	16	0	5	5	100%
Bassoon Continuo	16	0	5	5	100%
Contrabassi Continuo	16	0	5	5	100%
Flauto Traverso	7	0	0	5	100%
Oboe	7	0	0	5	100%
Soprani	7	0	0	5	100%
Tenori	9	0	2	4	100%
Viola	10	0	1	5	100%
Violin 1	7	0	0	5	100%
Violin 2	10	0	1	5	100%
Violoncelli Continuo	16	0	5	5	100%

Cornelia, "Priva son d'ogni conforto" from HWV 17, Giulio Cesare

edward.maurath

12:33	Est. Play Time
114	Measures
	1,315Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	17	1	3	2	100%
	17	1	3	2	100%
View all 12 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	17	1	3	2	100%
	17	1	3	2	100%
Lute	17	1	3	2	100%
	17	1	3	2	100%
Celli	17	0	3	2	100%
Continuo	17	0	3	3	100%
Contrebaß	17	0	3	2	100%
Violas	16	0	5	3	100%
Violins	23	60	8	6	100%
Vln 2	23	60	8	4	100%
Flute	20	0	5	6	89%
Cornelia	15	0	5	7	88%